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Repeated viewings can't dispel the shock of the final scene in this classic 1941 romantic mystery--a brief but disorienting confrontation that suddenly inverts the heroine's mounting conviction that she's married a murderer, forcing us to reconsider virtually every scene and line of dialogue that's preceded it. It's a masterful coup de grace for director Alfred Hitchcock, who has built a puzzle around the corrosive power of suspicion, threaded with deft ambiguities that toy with dramatic conventions and character archetypes in nearly every frame.

As embodied by Joan Fontaine, who nabbed an Oscar in this second outing with the director, Lina McLaidlaw is a buttoned-up, bookish heiress whose prim exterior conceals longings for a more engaged emotional life. Her solution materializes in the darkly handsome Johnnie Aysgarth, a gambler, womanizer, and spendthrift who flirts, then pursues, and soon marries her. As Aysgarth, Cary Grant is both irresistible and sinister, capable of deceit and petty theft, as well as grander designs on his bride's impending fortune. Lina's passion for Johnnie is clouded by each new revelation about his apparent dishonesty, from clandestine gambling to real estate development schemes; more troubling are clues implicating him in the death of his best friend, and the prospect that Johnnie may be slowly poisoning Lina herself. By the time we see him ascending a darkened staircase with a suspicious glass of milk, an image made all the more indelible through the spectral glow the director captures in the glass, the evidence seems damning indeed.

In fact, even as Hitchcock stacks the deck against Johnnie, and takes full advantage of Grant's skill at conveying such menace, the director also dots his landscape with visual clues to Lina's own neurotic (and erotic) obsessions. The final scene forces us to reevaluate her behavior while leaving enough of a cloud over Johnnie to rob him, and us, of a complete exoneration. It's a wicked, unsettling payoff to a brilliantly executed thriller. --Sam Sutherland

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Suspicion (1941) - IMDb Directed by Alfred Hitchcock. With Cary Grant, Joan Fontaine, Cedric Hardwicke, Nigel Bruce. A shy young English woman marries a charming gentleman, then begins to ... Suspicion (1941 film) - Wikipedia, the free encyclopedia Suspicion (1941) is a romantic psychological thriller directed by Alfred Hitchcock, and starring Cary Grant and Joan Fontaine as a married couple. It also stars Sir ... Suspicion Define Suspicion at Dictionary.com noun 1. act of suspecting . 2. the state of mind or feeling of one who suspects : Suspicion kept him awake all night long. 3. an instance of suspecting something or ... Suspicion - Definition and More from the Free Merriam-Webster ... Definition of SUSPICION. 1. a: the act or an instance of suspecting something wrong without proof or on slight evidence : mistrust. b: a state of mental uneasiness ... Suspicion - Wikipedia, the free encyclopedia Suspicion may refer to: Suspicion (emotion), a feeling of distrust or perceived guilt for someone or something Contents 1 Music 2 Television and Film 3 Other 4 See ... Lamar Odom arrested on suspicion of DUI - latimes.com Veteran NBA player Lamar Odom was arrested Friday morning on suspicion of driving under the influence after he was spotted driving erratically on the 101 ... suspicion[?] English The Free Encyclopedia 4 240 000+ articles. Espaol La enciclopedia libre 1 020 000+ artculos. Suspicion - Rotten Tomatoes - Movies Movie Trailers Reviews ... Wealthy, sheltered Joan Fontaine is swept off her feet by charming ne'er-do-well Cary Grant. Though warned that Grant is little more than a fortune-hunter, Fontaine ...